There's art house and then there's art school, and Severed Ways: The Norse Discovery of America is neither.  Tony Stone is the writer/director behind the movie, and I have to be completely honest – I don’t quite understand what his point was.  I mean, it’s not like the movie’s incomprehensible.  I get it.  It’s not hard to follow.  Vikings show up on the shores of Greenland, a couple of them get left behind, and . . . heavy metal plays in the background.

Severed Ways isn’t necessarily an experimental movie – there’s a semblance of narrative here.  And it’s easy to follow, especially since we have Chapter title cards guiding us through the film.  Why we have Chapter marks in the movie itself I don’t quite understand, but in case you’re having trouble following along, or if you a writer/director who’s having a hard time connecting story sequences, I suppose they’re helpful.

I'd like to mention what I liked about the movie.  It looks great.  The minimalist production design succeeds in making the woods and coast of modern-day Maine look like the 11th century Greenland the Vikings would have encountered.  And the cinematography is fantastic.  I fully expected to see someone’s sleeve dart in front of the camera to wipe the mist off the lens because everything had a nice, foggy and desaturated look that helped to transform this independent production that under most circumstances would be nearly unwatchable into something that was at least interesting to view.

Just turn down the volume.  The movie’s gimmick . . . er, soundtrack is made up of songs from Popol Vuh, Judas Priest and Burzum.  I understand the connection between Vikings and Norwegian death metal, as tenuous as the connection might be, but to drop Morbid Angel’s 'Desolate Ways' into a movie that the filmmakers are obviously trying to present in a somewhat realistic sense didn’t seem to make sense.  Stone takes great care in presenting how real, or as the DVD cover tells us, how “gritty” the Vikings’ reality was, but the inclusion of this music made the movie feel like a long experimental music video.

Whether Severed Ways: The Norse Discovery of America is a long music video or a gritty historical epic, including a scene in which one of the characters defecates and then wipes himself with the available foliage does nothing to make the movie interesting or worth your time.

Week 82 of Mail Order Zombie brings you Week Three of Summer Knights, the crossover event between Mail Order Zombie and Dread Media during which each of Amando de Ossorio's Blind Dead films are reviewed on both shows.  This week, Brother D reviews the third film of the series, The Ghost Galleon.  Also, Brother D takes a look at the upcoming anthology horror movie Grave Mistakes, coming soon from direct Chris LaMartina.  The current Zombie Aptitude Test has a contest attached to it, and the winner will receive a Mail Order Zombie prize pack.  You want more reviews?  How about a review of the videogame Onechanbara: Bikini Samurai Squad, courtesy of Saint Nasty?  And how about this?  The Post Script is back; Miss Bren reviews the book The Estuary by Derek Gunn.  Mathew from Shelbytownship, Michigan, hits the MOZ Family with another installment of his ABCs of Zombies, and the Feedback Discussion takes up the backhalf of the show (and during the discussion, Miss Bren learns something about her buzzing nemeses!).  And before all this, we get a report from the Zombie Walk from Gen Con 2009! (And check out Need-a-Nickname Scott and Tracey at the Zombie Walk here - http://tinyurl.com/naov4n . . . !)

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(Various production music produced by Kevin MacLeod)